• AEPO-ARTIS
  • Posted by AEPO-ARTIS
February 19, 2025

Last week, the Commission published its Work Programme 2025. Somewhere hidden in the initiatives on “Supporting people, strengthening our societies and our social model”, the Commission makes it its goal...

  • Iva Galović
  • Posted by Iva Galović
February 17, 2025

Brussels, 17 February 2025 Dear Executive Vice-President Virkkunen, Dear Commissioner Micallef, The AI Office is currently tasked with the critical responsibility of successfully finalising the ‘General-Purpose AI Code of Practice’...

  • AEPO-ARTIS
  • Posted by AEPO-ARTIS
February 10, 2025

Having regard to the Recommendation of the OECD Council on Artificial Intelligence, dated 3 May 2024, in particular its Principles for a Responsible Approach in Support of Trustworthy AI, including...

  • AEPO-ARTIS
  • Posted by AEPO-ARTIS
February 19, 2025

Last week, the Commission published its Work Programme 2025. Somewhere hidden in the initiatives on “Supporting people, strengthening our societies and our social model”, the Commission makes it its goal...

  • Iva Galović
  • Posted by Iva Galović
February 17, 2025

Brussels, 17 February 2025 Dear Executive Vice-President Virkkunen, Dear Commissioner Micallef, The AI Office is currently tasked with the critical responsibility of successfully finalising the ‘General-Purpose AI Code of Practice’...

  • AEPO-ARTIS
  • Posted by AEPO-ARTIS
February 10, 2025

Having regard to the Recommendation of the OECD Council on Artificial Intelligence, dated 3 May 2024, in particular its Principles for a Responsible Approach in Support of Trustworthy AI, including...

AEPO-ARTIS

Copyright Directive Implementation

Here you will find an interactive map with the latest information and legislation on the implementation process of the CDSM directive in all member states.

The Impact of the DSM Directive on EU Artists and Musicians

Streams & Dreams Part 2

A new report entitled Streams & Dreams Part 2 – The Impact of the DSM Directive on EU Artists and Musicians, written by the independent music business researcher Daniel Johansson (Inland Norway University of Applied Sciences) and published on June 13th, proves the ineffectiveness of the DSM Directive.

 

Based upon a survey of 9.542 artists from 19 EU countries, conducted by AEPO-ARTIS and its members in collaboration with IAO, this is one of the most substantiated reports ever done on issues related to performers in the music industry. The report is available here.

We defend performers’ rights

Objectives

As the paramount voice of performers’ collective management organisations in Europe, the main objectives of AEPO-ARTIS are to develop, strengthen and protect performers' rights as well as to highlight the contribution that performers make to Europe’s rich and diverse cultural sector.

Members

The members of AEPO-ARTIS are among the most experienced organisations in Europe working with actors, musicians, dancers and other performers. They have all been founded by performers, for performers with the aim of collectively managing their neighbouring rights.

Our 38 member organisations represent more than 650,000 performers.

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collective management organisations

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different countries    

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performers represented